Shady River

Mutna rijeka

Available from 14.12. to 19.12.20 Dostupno od 14.12. do 19.12.20
Available in: BiH, Croatia, Serbia, Macedonia, Montenegro, Kosovo Dostupno u: BiH, Hrvatska, Srbija, Makedonija, Crna Gora, Kosovo

Film info

2020ARGENTINA82’

Director: Tatiana Mazú González

Original language: Spanish

Editor: Sebastian Zanzottera

Cinematographer: Tatiana Mazú Gonzalez

Producer: Florencia Azorin / Antes muerto cine

Contact: Florencia Azorin
Antes muerto cine
E: azorinflorencia@gmail.com

Informacije o filmu

2020ARGENTINA82’

Režija: Tatiana Mazú González

Izvorni jezik: španski

Montaža: Sebastian Zanzottera

Kamera: Tatiana Mazú Gonzalez

Producent: Florencia Azorin / Antes muerto cine

Kontakt: Florencia Azorin
Antes muerto cine
E: azorinflorencia@gmail.com

Synopsis

According to the myth still in force in the coal towns of Patagonia, if a woman enters a mine, the earth becomes jealous. Then, there’s collapse and death. “Shady River” starts from a dark personal experience to transform in a film about the silence of women who live in men's villages. How to film where our presence is prohibited? How to record the resonances of what doesn’t sound? As the fog and smoke from the power plant cover the town, the voices of the women of Shady River force their way between the white of the ice and the hum of the drilling machines, until blowing up the structure of silence.

Sinopsis

Prema živućoj legendi rudnika uglja u Patagoniji, ako žena uđe u rudnik, zemlja postaje ljubomorna. Tada dolazi do kolapsa i smrti. Začeta iz ličnog mračnog iskustva, “Mutna rijeka” se transformiše u film o šutnji žena koje žive u muškim selima. Kako snimati tamo gdje je naše prisustvo zabranjeno? Kako zabilježiti odjek onoga što nema zvuka? Dok magla i dim iz fabrike prekrivaju grad, glasovi žena Mutne rijeke probijaju se među bjelinom leda i zujanjem mašina za bušenje, sve dok naprava od tišine ne eksplodira.

Directors Biography

Tatiana Mazú González (1989) lives on the outskirts of the city among cats and plants, in what used to be her grandmother’s house. She’s a documentary-experimental director and visual artist. Left-wing and feminist activist who once wanted to be a biologist or geographer: today her imaginary explores the links between people and spaces, the microscopic and the immense, the personal and the political, the childish and the dark. With her films she has participated in Mar del Plata IFF, DocLisboa, FidMarsille, FICUNAM, Cinélatino - Recontres de Toulouse, FIDOCS, among others film festivals. She is the co-editor of “Owner’s Portrait” by Joaquín Maito (Best Debut Film at Jihlava 2018).

Biografija reditelja

Tatiana Mazú González (1989) živi na obroncima grada, među mačkama i biljkama, u negdašnjoj bakinoj kući. Režiserka je dokumentarnog-eksperimentalnog filma i vizuelna umjetnica. Ljevičarka je i feministička aktivistica koja je nekad željela biti biologinja ili geografkinja; danas kreativno istražuje veze među ljudima i mjestima, mikroskopskim i ogromnim, ličnim i političkim, djetinjastim i mračnim. Sa svojim filmovima je učestvovala na festivalima: Mar del Plata IFF, DocLisboa, FidMarsille, FICUNAM, Cinélatino - Recontres de Toulouse, FIDOCS i mnogim drugim. Saradnica je montaže na filmu “Owner’s Portrait” autora Joaquína Maite (najbolji debitantski film na FF Jihlava 2018).

Festivals

Fidmarseille, France, 2020 – International prize Geroge de Beauregard

Camden IFF, USA, 2020

Cámara Lúcida, Ecuador, 2020

Antofacine, Chile, 2020 – Prize New Languages

Mar del Plata IFF, Argentina, 2020

FIDOCS, Chile, 2020

Iquique IFF, Chile, 2020

Festivali

Fidmarseille, France, 2020 – International prize Geroge de Beauregard

Camden IFF, USA, 2020

Cámara Lúcida, Ecuador, 2020

Antofacine, Chile, 2020 – Prize New Languages

Mar del Plata IFF, Argentina, 2020

FIDOCS, Chile, 2020

Iquique IFF, Chile, 2020